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RSP American Fine Prints Etchings and Lithographs James A. McNeill Whistler Rotherhithe Wapping Etching
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RSP
Fine Prints P.O. Box 30201 Charlotte, NC 28230-0201 704-333-0969 EMAIL
American
Antique Silver Coach / Carriage Lamps
Circa late 19th Century
By Stevens & Sackett
New Haven, Connecticut.
Excellent Condition
Electrified
American fine prints from the early 20th century.
Featured American printmakers include Howard
Cook, John
Sloan, Joseph
Pennell, Reginald
Marsh, Prentiss
Taylor, Armin
Landeck, W.
R. Locke, James
A. McNeill Whistler, Max
Weber, Thomas
Hart Benton, Alfred
Hutty, Adolf
Dehn,
and Aline
Fruhauf. Also included is work by Sir
Anthony van Dyke, Seymour
Haden and Robert
Nanteuil. All fine prints are in wonderful condition and signed
by the artist.
Ocassionally
we are able to display extraordinary antiques such as the pair of silver
coach / carriage lamps by Stevens and Sackett of New Haven, Connecticut.
RSP Fine Prints
P.O. Box 30201
Charlotte, NC 28230-0201
© 2009 All rights reserved.
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Click here to close.James A. McNeill Whistler (1834-1903)
 James Abbot McNeill Whistler (1834–1903)
Rotherhithe, 1860
Etching and Drypoint
PRICE REDUCED TO $9,500
Etching and Drypoint. 10 13/16 x 7 13/16. 1860. State 3/3. Signed and dated in the plate. Kennedy 66. Japan paper. PRICE REDUCED TO $9,500! Price includes custom Whislter type gilt frame, UV plexiglass and silk mat.
Series: "Sixteen Etchings or Scenes on the Thames and Other Subjects." (Thames Set). Rotherhithe was made on the balcony of the Angel Inn at Rotherhithe, looking northwest toward the City; the dome of St. Paul's is visible on the horizon at the far left.
About the Artist: James A. McNeill Whistler (1834-1903)
James McNeill Whistler was born in Lowell, Massachusetts, USA, in 1834. He spent five years of his childhood (1843-1848) in St. Petersburg, Russia, where his father, George Washington Whistler (1800-1849), a railroad engineer, was employed in the building of the St. Petersburg-Moscow railroad. The artist’s mother, Anna Matilda McNeill, was a devout Christian, whom he admired all his life. In his early manhood he exchanged his middle name ‘Abbott’ for her maiden name ‘McNeill’. In St. Petersburg young James received his first art lessons in the Imperial Academy of Fine Arts and also learnt French.
In 1849, Major Whistler died and his wife decided to bring her family to their homeland, setting at Pomfret, Connecticut, where James attended the local school until, in 1851, he entered West Point, the famous military academy. West Point at the time was an exclusive school, to which cadets were selected by congressmen. No doubt that the fact that his father had trained at West Point secured Whistler’s entry. Never becoming a military man, Whistler remembered the three years spent at the academy with affection. Among all subjects Whistler succeeded only in drawing, special difficulties were caused by chemistry, which at last became the reason of his ejection from the academy. ‘Had silicon been a gas,’ He later declared, ’I would have been a general-major’.
West Point was followed by a brief period of employment in the United States Geodetic and Coast Survey offices in Washington. In 1855, Whistler arrived in Paris, the artistic capital of Europe, with the intention of becoming an artist.
The art of Gustave Courbet (1819-77) attracted his attention and admiration, but in his choice of teacher Whistler was very conventional. After a short period at the École Impériale et Spéciale de Dessin, he enrolled at the studio of Charles-Gabriel Gleyre (1806-74). At Gleyre’s, Whistler became part of the ‘Paris Gang’, a group of young English artists that included Edward Poynter (1836-1919), later president of the Royal Academy, Thomas Armstrong (1832-1911), Thomas Lamont (1826-98) and George du Maurier (1834-96).
In 1858, Whistler set out on a tour of Alsace-Lorraine and the Rhineland, during which he made a set of etchings Twelve Etchings from Nature, better known as the French Set. Praise of the work encouraged Whistler to continue etching. Between 1858 and 1863 he produced 80 plates, Rotherhithe (1860), among them. In 1859, Whistler set to work on his first major painting, At the Piano, his first masterpiece, which marked the end of his student years and the onset of artistic independence. The work was rejected by the Salon. The same year Whistler moved to London, which remained his base of operations until 1892. From there Whistler made frequent visits abroad. In 1861, he started to work on Symphony in White No.1: The White Girl. The model was his mistress, Jo. Symphony in White No.1 came closest in mood to Pre-Raphaelitism. Later, in 1863, Whistler became acquainted with the Pre-Raphaelite group.
In 1866, Whistler traveled to South America where the Chileans were engaged in a war against Spain, he kept a journal of naval and military developments but avoided involvement in any fighting.
In 1877, Whistler began to paint a series of ‘Nocturnes’ based on the Thames views at night. One of his most famous works in this series in Nocturne: Blue and Gold – Old Battersea Bridge, originally called ‘Moonlights’. His patron, Frederick Leyland, an enthusiastic pianist, suggested the term ‘Nocturne’. Whistler replied, ‘I can’t thank you too much for the name Nocturne as the title for my Moonlights. You have no idea what an irritation it proves to the critics, and consequent pleasure to me; besides it is really so charming, and does so poetically say all I want to say and no more than I wish.’
Critics were outraged. John Ruskin, when seeing Nocturne in Black and Gold: The Falling Rocket and other night scenes at the opening exhibition of the Grosvenor Gallery in 1877, broke out in print: ‘I have seen and heard much of Cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public’s face’. Whistler sued Ruskin for libel and won the trial. Whistler was awarded a farthing damages; his feelings on the subject are embodied in the Gentle Art of Making Enemies (1890).
In the meantime Whistler started, in 1876, the decoration of the famous Peacock Room in the London house of his patron, Frederick Leyland. In the end, the artist and the patron quarreled bitterly over the room, and the quarrel grew into deep hatred. The loss of Leyland as a patron and the effect of Ruskin’s harsh criticism left Whistler in a bad financial position. In 1879, Whistler was declared bankrupt and left for Venice for the next 14 months. During that stay in Venice, he produced four oils, many etchings and almost 100 pastels.
Aside from portraits, Whistler was much occupied in the 1880s with small seascapes in watercolor and in oil. Gray and Silver: Mist - Lifeboat.
After two successful one-exhibitions at Dowdeswells in 1884 and 1886, Whistler’s reputation steadily began to mount. In 1884, he was invited to become a member of the Society of British Artists and two years later was elected its president.
In 1886, Whistler painted Harmony in Red: Lamplight. Portrait of Mrs. Beatrice Godwin. Her husband died in 1886 and two years later she became Whistler’s wife. The daughter of the sculptor John Bernie Philip, she was also an artist in her own right and Whistler frequently turned to her for advice while painting his portraits. With Beatrice, Whistler moved to Paris in 1892. She died four years later, in 1896. In the lithograph The Siesta Mrs. Beatrice Whistler is shown already mortally ill.
Meanwhile Whistler’s reputation had soared. In 1891, Arrangement in Grey and Black No 1: The Artist’s Mother was acquired by the French State and that same year Glasgow Corporation paid a thousand guineas for the Portrait of Thomas Carlyle. Having exhibited at several important international exhibitions, Whistler was awarded honors by Munich, Amsterdam and Paris.
Whistler died in 1903 in London.
Click here to close.James A. McNeill Whistler (1834-1903)
James Abbot McNeill Whistler (1834–1903)
Rotherhithe, 1860
Etching and Drypoint
PRICE REDUCED TO $9,500
Etching and Drypoint. 10 13/16 x 7 13/16. 1860. State 3/3. Signed and dated in the plate. Kennedy 66. Japan paper. PRICE REDUCED TO $9,500! Price includes custom Whislter type gilt frame, UV plexiglass and silk mat.
Series: "Sixteen Etchings or Scenes on the Thames and Other Subjects." (Thames Set). Rotherhithe was made on the balcony of the Angel Inn at Rotherhithe, looking northwest toward the City; the dome of St. Paul's is visible on the horizon at the far left.
About the Artist: James A. McNeill Whistler (1834-1903)
During the mid-to-late nineteenth century, there was a resurgence of interest in the art of etching and a movement to elevate the medium to the same artistic stature as painting and sculpture. This movement became known as the Nineteenth Century Etching Revival.
Until the late eighteenth to early nineteenth century, etching and engraving had been used primarily for commercial reproduction. With the development of lithography in 1798 and of photography in about 1839 as reproductive methods, artists began to advance etching as a means of independent personal artistic expression. The artists took a sometimes romantic but also realistic look at their environment: the people, the restful rural landscapes; and the vibrant, growing cities. They experimented with the etching process and captured a quality of line, tone and space unachievable in any other print medium. Rotherhithe, 1860 (etching and drypoint; iii/iii: Kennedy66; Mansfield 66; Lochnan 70;) by James Abbott McNeill Whistler exemplifies this approach with the sketchy, delicate line work in the face and hands of the figures, the aggressive black tones in the ship and the visual depth of the waterway.
As a child, Whistler lived with his family in Russia and later in London with his sister and her husband Francis Seymour Haden who introduced Whistler to prints and printmaking techniques. After the death of his father in 1849, Whistler and his family returned to America, settling in Connecticut. In 1854, Whistler accepted a position with the United States Coast and Geodetic Survey for which he etched maps and topographic plans. A year later he left the Survey and set up a studio in Washington and travelled to Paris where he attended the Ecole Imperiale et Speciale de Dessin and later studied in the atelier of Charles-Gabriel Gleyre (1806-1874). During the 1860's, he started to use motifs associated with Japanese prints, influenced partially by the work of Hiroshige, and incorporated a butterfly for his signature in typical Japonisme style. An early butterfly can be found below the bottom edge of Rotherhithe which was one etching from a series of prints of "Scenes on the Thames," also called the "Thames Set". Whistler produced several other series of prints including the "French Set," the "Venice Set," and the "Nocturnes." This last series, done in the 1870s were severely criticized by John Ruskin causing a great set back in Whistler's financial and professional career. But he continued to produce prints even after his health began to fail in 1897. By the time of his death in 1903 of a heart attack, he had produced over 450 prints.
Whistler's work was highly visible as it was shown in exhibitions and galleries in Europe and America.
James
A. McNeill Whistler (1834-1903) Rotherhithe
Etching and Drypoint
Read more...
Whistler Bio
RSP Fine
Prints P.O. Box 30201 Charlotte, NC 28230-0201 704-333-0969
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HANDPRINTING
WORKSHOPS IN THE USA: A DIRECTORY
Compiled and written by Richard Mayberry
Print Studio Manager Spirit Square Center
for the Arts 1993. Funded in part
by the National Endowment for the Arts.
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5309
Monroe Road Charlotte, NC 28205
Charlotte, NC CPAs offering full service accounting bookkeeping
and tax return services
Charlotte, NC CPAs offering bookkeeping, income tax preparation
and income tax return services
Charlotte, NC CPAs offering offering accounting and bookkeeping
services designed to improve profitability
Charlotte, NC CPAs offering payroll and bookkeeping services
with flexibility and personalized customer service
Charlotte,
NC CPAs offering accounting, tax return and bookkeeping services.
They eliminate or minimize the number of bookkeeping employees
thus reducing bookkeeping payroll expenses and bookkeeping benefit
expenses required for these bookkeeping employees and they eliminate
bookeeping training requirements for a staff of bookkeepers
to manage bookkeeping accounts payables and bookkeeping accounts
receivables.
Charlotte
bookkeeping and income tax preparation, income tax return services
and income tax preparers. They are a professional, Charlotte
based, CPA firm that provides bookkeeping and income tax return
preparation and income tax preparation services for clients
not only in the metro Charlotte area and North Carolina but
throughout the east coast. They utilize all of the income tax
preparation laws possible in the income tax return preparation
and income tax preparation services process for clients to provide
the lowest level of tax liability to each individual.
This site had SEO added by RSP Site Design Charlotte, NC. RSP Site Design Charlotte, NC specializes in website design, website maintenance, website development, SEO (search engine optimization),custom website graphics
and website graphics editing and eBay listing assistance. RSP Site Design Charlotte, NC designs and maintains websites for numerous firms located in the Charlotte area. RSP Site Design also has clients outside the Charlotte area. Those locations include Virginia, Arizona, Kentucky, Tennessee, Pennsylvania, Massachusetts South Carolina and Europe.
Temmes Management Services B.V. - International Corporate Trust Services
Offices in Luxembourg, Netherlands and Switzerland
Temmes Management Services assists international companies in achieving their tax and treasury objectives through the use of international holding and finance companies, principally in Luxembourg, The Netherlands and Switzerland. It provides a wide range of outsourced services including accounting and tax, corporate, management and treasury support services. It also assists in the selection of resident directors, resident employees and office facilities.
The co-founders of Temmes Management Services, Frank Weidema and Pieter van Tol, each have over 20 years of
international tax experience. For the past 20 years they have focused exclusively on serving multinational companies
with international holding and finance companies.
Temmes hires only experienced individuals who have an outstanding track record working with financial accounting and
tax matters for multinational companies. Several of its managers have previously served as European controllers of U.S.-
based multinational companies. The employees of Temmes, on average, have worked with multinational companies
for over at least 15 years.
Gene White represents Temmes in North America through Temmes Capital Partners. In addition to being responsible for
business development, he assists in maintaining relationships with existing clients. Gene began his career with Arthur
Andersen and subsequently became a tax partner with Ernst & Young in Atlanta. He also has over 10 years of
experience as Director and Vice President – Taxes for a Fortune 500 company that engaged Temmes to establish and
operate its international holding and finance structure. Gene is past president of the Carolinas chapter of the Tax
Executives Institute and is a member of the International Fiscal Association.
Some of the many types of holding companies served by Temmes Management Services are as follows:
Dutch Co-op holding and finance structure
Dutch CV/BV holding company
Luxembourg deemed deduction finance company
Luxembourg holding company using PECs (Preferred Equity Certificates) and/or CPECs (Convertible Preferred Equity Certificates)
Luxembourg holding company with Swiss finance branch
Swiss notional branch holding company
Swiss intellectual property holding company
Synthetic finance branches
This site had SEO added by RSP Site Design Charlotte, NC. RSP Site Design Charlotte, NC specializes in website design, website maintenance, website development, SEO (search engine optimization),custom website graphics
and website graphics editing and eBay listing assistance. RSP Site Design Charlotte, NC designs and maintains websites for numerous firms located in the Charlotte area. RSP Site Design also has clients outside the Charlotte area. Those locations include Virginia, Arizona, Kentucky, Tennessee, Pennsylvania, Massachusetts South Carolina and Europe.
 
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